![10915666076_f8ca93e05b_k.jpg](https://images.squarespace-cdn.com/content/v1/5695398da12f4462231c511a/1452629055661-ATZ35D7RNC8I37A9HY9F/10915666076_f8ca93e05b_k.jpg)
![10915663296_6ffe5b255e_k.jpg](https://images.squarespace-cdn.com/content/v1/5695398da12f4462231c511a/1452629050892-LVL31TCDFDLL6HM2QDY3/10915663296_6ffe5b255e_k.jpg)
![10915620425_8b86795cf2_k.jpg](https://images.squarespace-cdn.com/content/v1/5695398da12f4462231c511a/1452629046918-JM5XRZ1WSXS3025OW1DK/10915620425_8b86795cf2_k.jpg)
![10915668006_7eeaf5abbf_k.jpg](https://images.squarespace-cdn.com/content/v1/5695398da12f4462231c511a/1452629057822-0E1LQY7S6X52GCVOPZT4/10915668006_7eeaf5abbf_k.jpg)
TO HAVE AND TO HOLD
This exhibit of vintage tool and tackle boxes was framed by a narrative of love lost.
The project explored the blur of fact and fiction and the gendered terrain of material culture.
It revisited these examples of American industrial design, manufacturing processes, and material use that have become largely obsolete.